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Alan Lomax: A Biography
Ebook Free Alan Lomax: A Biography
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Audible Audiobook
Listening Length: 20 hours and 30 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Penguin Audio
Audible.com Release Date: December 30, 2010
Whispersync for Voice: Ready
Language: English, English
ASIN: B004HYHTL8
Amazon Best Sellers Rank:
Alan Lomax has long been a favorite of mine. I am continually amazed at the depth and breadth of his life's work. This book is not only well written and researched but flows from chapter to chapter with ease. Maybe it's my love of the subject and the love of his subjects, but I couldn't put it down and was continually amazed at the impact Lomax had on the USA and the world. What we listen to today, how we listen to it and understand it and most notably who we listen to is in large part a direct result of the lifelong work of John and Alan Lomax, whatever the music is that you listen to. Social consciousness, preserving our heritage, understanding and appreciating the everyman in rural and urban settings were a given in Lomax's life. Appreciating the musicians as fine artists and that remarkable ear of his to pick out the best and to uncover some of the finest American and World Music ever recorded is truly phenominal. Our lives have been so enriched by this man that he truly should be a houshold name. This fine biography does justice to the man who changed all our lives for the better whether we know it or not. For his work on Leadbelly recordings alone, I will be eternally grateful. When you consider his field recordings in Italy and Spain then you are reaching a plateau no one else has ever or will ever achieve again.Read this book.
Szwed is an excellent biographer and folklorist. (Disclosure: I took a class with him at Temple University decades ago.) His subject, Alan Lomax, came to the collecgtion of folksongs via his father, John Lomax, who belonged to the heroic age of folklore studies, when men (and one woman, Olive Campbell) went trekking into the hinterlands armed with smiles, the promise of a free drink, and a half ton of cumbersome recording equipment. Alan, John's youngest son, at first had a love-hate relationship with his father's avocation, joining him on a song-catching tour only when family fortunes had sunk so low that a meager stipend from the Smithsonian was the only source of funds. But Alan, more of a musician than John, eventually got his own rhythm. With his father, he discovered Lead Belly in a southern prison. Alan managed to get to know practically everyone from the 30's onward. He went on a collecting trip with Zora Hurston and he lived long enough to be sort of the godfather of the folk revival of the 60's -- which would not have been possible without his Smithsonian recordings. What's especially poignant in Szwed's biography is the idea that by the time Alan Lomax came of age as a folklorist, the motives driving folklorists had shifted. The previous generation gathered songs and tales partly as a way of locating an "authentic" American culture, of finding a land grandees in Boston or New York never deigned to hear of. For Alan Lomax, the motive seems more contemporary: to preserve what he could of folk culture that was being swept away by popular culture and media. His description of a folklore pavilion he proposed for the 1939 World's Fair has this avowed aim. But as Szwed notes (without comment), his ideas were either ignored, co-opted, or given to companies sponsoring pavilions to implement (Heineken Brewery did a Dutch folkore theme). That's a parable right there!
The story of Alan Lomax begins with his father who was also a famous collector of folk music. The family members were eccentric and Alan inherited both the positive and negative traits. He set off to become a collector of folk music at his father's insistence. However, he grew in his love for the music and also in his desire to understand the deeper reasons why folk music exists, how it changes from place to place, and finally, how it fits into the study of anthropology.The writing although dense and filled with long quotations from Lomax, always has an element of surprise. Perhaps because the events were taking place in the early part of the Twentieth Century, there was more openness and innocence. Lomax traveled with his wife and daughter, he spent nights in shacks with African-Americans, and he was constantly in need of money. He was friends with Woody Guthrie, Lead Belly, Muddy Waters, Jelly Roll Morton, and Pete Seeger, not to mention Carl Sandburg and Margaret Mead.When Roosevelt became President, Lomax was recognized for his amazing depth and breadth of folk music contacts, and frequently performed for the White House. He earned a Carnegie Grant. He spent time abroad searching for folk music in England, Ireland, Scotland, Spain, and Italy. His notes and recordings gradually became touchstones not only for the musicians of his era, but of many musicians of the future.It was a pleasure to read a book and do it at a leisurely pace. As I read it, I began seeing how folk music has affected jazz, classical music, and pop music. For a musician or a non-musician, it is a wonderful journey.
I was Super Stoked to receive this amazing book on time and as promised, Thank You!
warts and all look at a renaissance man and an American original. If yo u have any interest in A mericana, folk, blues ,jazz in short music, then I recommend this book
Finally a book on Alan Lomax! This rather exhaustive look at his life reveals an important figure in musical history. Lomax took to field recordings after early and innovative work with his father. His life and career span exciting changes from the earliest recording technologies to the inner workings of copyrights. Who wouldn't want to be a fly on the dashboard as John and Alan Lomax traveled with Leadbelly as they gathered their early recordings? A bit dense and heavy on the early years more than the latter years but a must read for fans of Americana, folk, and world musics. I enjoyed the frequent passages from Lomax' own prolific writing to give his true insights into music and its evolution.
Anyone interested in folk music or folksong collecting will enjoy this book by the man, who with his father made folk music popular.
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